Fine Art Printing
Museum-grade giclée printing on archival papers, canvas, and alternative substrates — produced in-house on Epson large-format printers with pigment inks rated for over 200 years of color permanence.
From a single artist proof to a 5,000-piece hotel art program, every print is color-corrected, proofed, and produced at our Fullerton, CA facility.
Why Fine Art Printing Matters
The substrate you print on is not just a surface — it is part of the artwork. A smooth rag paper renders photographic detail with razor precision. A textured cotton rag adds depth and warmth to a painted original. A stretched canvas gives dimension and presence on a wall. The right match between image and substrate is the difference between a print and a piece of art.
Epson Giclée
Industry-standard Epson SureColor P-Series printers with up to 12-color archival pigment ink sets.
200+ Year Inks
UltraChrome PRO pigment inks certified by Wilhelm Imaging Research for museum-grade permanence.
Color Accuracy
Dedicated Photo Black and Matte Black channels eliminate ink switching — consistent output on every substrate.
Up to 64" Wide
Large-format capability on rolls and sheets, with borderless printing and media up to 1.5mm thick.
We Start With Your Art
Send us digital files or ship the original — our print specialist color-corrects, calibrates, and proofs every image before it goes to press.
Substrate Category
Paper Prints
Each paper type has a distinct surface, weight, and character that transforms how an image looks and feels. We stock a curated selection of professional-grade papers chosen for their performance in commercial and gallery environments.
Photo Papers
Resin-coated papers with vibrant color saturation and sharp detail. Ideal for photography, digital art, and commercial reproductions where impact matters most.
Luster
A soft semi-gloss finish that balances rich color with minimal glare. The most popular choice for professional photography and commercial art programs — versatile enough to work in any lighting environment.
Weight and thickness specs available on request
Gloss
High-shine surface that maximizes color vibrancy and contrast. Delivers the most saturated output for images with bold, punchy colors. Best suited for backlit-style imagery and retail displays.
Weight and thickness specs available on request
Matte
A flat, non-reflective surface that eliminates glare entirely. Produces softer tones and a more understated look — preferred for environments with overhead lighting or where framing behind glass.
Weight and thickness specs available on request
Metallic Gloss
A pearlescent, shimmer-finish paper that gives images a luminous, almost three-dimensional quality. Striking for cityscapes, automotive, fashion, and any image where you want a high-end metallic sheen.
Weight and thickness specs available on request
Fine Art Papers
Museum-grade, 100% cotton rag papers — acid- and lignin-free. These are the papers used by galleries, printmakers, and collectors for archival giclée editions.
Signa Smooth 300
Smooth RagDouble-coated, OBA-free smooth rag with an ultra-smooth, flat matte finish and virtually no visible surface grain or tooth. Yields exceptional sharpness, clean edge definition, and a high Dmax (deep black density) with vibrant color fidelity.
Elegant Velvet
Textured RagArchival textured rag with a soft, tactile "velvet" tooth. Imparts a traditional, organic fine-art aesthetic that slightly softens transitions and diffuses ambient glare across the print.
Quick Comparison
Swipe to see all columns
| Feature | Signa Smooth 300 | Elegant Velvet |
|---|---|---|
| Surface Finish | Ultra-smooth matte | Textured matte |
| Weight | 300 gsm / 17 mil | 300 gsm / 18 mil |
| Aesthetic | Modern, sharp, photographic | Traditional, painterly, organic |
| Detail Rendering | Maximizes fine line clarity | Adds depth and warmth via subtle tooth |
Smooth vs. textured rag: Smooth rag papers have a flat, even surface that maximizes fine detail and sharpness. Textured rag papers retain a natural tooth that adds physical depth and a handcrafted feel. The distinction affects how ink sits on the surface — smooth papers show more detail, textured papers add warmth.
Substrate Category
Canvas Prints
Canvas gives artwork physical presence and dimension. Gallery-wrapped on stretcher bars for a frameless look, or mounted and framed for a more traditional presentation.
Decor Canvas
Our standard production canvas — a bright white, poly-cotton blend with a smooth, subtle weave. Durable, cost-effective, and ideal for high-volume commercial art programs where consistency across hundreds of prints matters.
Every Decor Canvas print is hand-rolled with a clear UV protectant that adds either a semi-gloss or matte finish while shielding the artwork from dirt and fading.
Finish: Matte (smooth, low-texture weave)
Best for: Hotels, offices, healthcare, multi-unit rollouts
Protective coat: Hand-rolled clear UV varnish
Lyve Archival Canvas
A museum-grade, acid-free canvas with a more pronounced, textured weave and superior ink absorption. Produces richer tonal depth and more nuanced detail — the added texture gives each piece a hand-painted quality.
Every Lyve Archival Canvas print is hand-rolled with a clear UV protectant that adds either a semi-gloss or matte finish while protecting against dirt and fading.
Finish: Matte (pronounced, textured weave)
Best for: Galleries, limited editions, high-end lobbies
Protective coat: Hand-rolled clear UV varnish
Specialty Canvas
No varnish needed · OBA-free · 55+ year display life
Silverada Metallic
440 GSM · 20 mil
Pearlescent metallic finish with silver flake coating. Exceptional for B&W and HDR imagery. Water- and scuff-resistant.
Crystalline Satin
440 GSM · 21 mil
65/35 cotton-poly with a subtle satin sheen. Industry-leading saturation with softer highlights — vibrant but natural.
Crystalline Gloss
440 GSM · 21 mil
Same cotton-poly base as Satin with a higher-sheen gloss finish. Boldest color density and Dmax of any canvas we offer.
Stretcher Bar Depth
Which Thickness Is Right for Your Project?
Every gallery-wrapped canvas is stretched over a solid wood stretcher bar. The depth you choose affects the visual presence of the piece and how it sits on the wall.
Thin Wrap
Slim profile, close to the wall. Best for smaller pieces, multi-panel groupings, and floater frames. Most cost-effective for high-volume programs.
Standard Gallery Wrap — Most Popular
The industry standard. Substantial presence on the wall while staying manageable in weight. Works standalone or in a floater frame.
Deep Gallery Wrap
Maximum presence — dramatic shadow line on the wall. Ideal for large statement pieces, hotel lobbies, and spaces where the art should command attention.
Edge Treatment
How the Sides of Your Canvas Look
The edge treatment determines what appears on the sides once the canvas is stretched over the bar. Each option changes the finished look.
Image Wrap
The artwork extends around all four sides for a seamless gallery look. Best with thicker bars and images that have breathing room around the edges.
Mirror Wrap
The outer edges of the image are reflected onto the sides so the full artwork stays on the front face. Smart when the composition runs edge-to-edge.
Solid-Color Wrap
Sides finished in black, white, or a custom color match. Clean and modern — keeps attention on the front of the piece. Popular for multi-panel installations.
Not Sure Which Substrate Is Right?
Every project is different. Whether you're printing a single original or specifying materials for a 500-room hotel, we'll walk you through the options, recommend what works best for your environment, and produce a physical sample so you can see the result before committing. No charge for the consultation.
Beyond Paper & Canvas
Alternative Print Substrates
Not every installation calls for a traditional framed print. We produce prints on rigid and specialty substrates that deliver frameless, modern presentations — many of which arrive ready to hang with no additional finishing required.
Metal Prints
Images are infused directly into specially coated aluminum using a dye-sublimation process. The result is ultra-vibrant color, exceptional durability, and a sleek, frameless presentation. Waterproof, scratch-resistant, and UV-stable.
Best for: High-traffic spaces, outdoor-adjacent, modern interiors
Finish: Frameless, ready to hang
Durability: Waterproof, scratch-resistant, UV-stable
Plaque Mounting
Prints laminated and mounted onto a durable wood substrate with a custom-colored edge available in a range of profiles. Arrives ready to hang without a frame — a clean, modern look that pairs well alongside framed pieces for visual variety.
Best for: Restaurants, lobbies, mixed wall groupings
Finish: Custom edge colors and profiles
Mounting: Durable wood substrate, ready to hang
Our Equipment
Epson SureColor P-Series Printers
We print exclusively on Epson's SureColor P-Series — the industry standard for archival printmaking, museum reproductions, and professional photography. These are not consumer printers with aftermarket inks. They are purpose-built fine art production systems engineered for color accuracy, repeatability, and permanence.
Ink System
- 10- and 12-Color Pigment Ink Sets
UltraChrome PRO10 and PRO12 ink sets with specialized Orange, Green, and Violet inks for an expanded color gamut that handles difficult gradients and deep hues.
- Dedicated Black Channels
Permanent, simultaneous channels for Photo Black and Matte Black. No ink switching when moving between glossy photo paper and textured fine art paper — consistent output and zero waste.
- Black Enhance Overcoat
A clear overcoat layer that increases black density and contrast on glossy and metallic papers while eliminating bronzing and gloss differential.
Print Head & Media
- PrecisionCore MicroTFP Heads
Variable-sized droplets as small as 3.5 picoliters at 2400 x 1200 dpi — producing razor-sharp line work, smooth tonal gradations, and fine brushstroke textures.
- Automatic Nozzle Verification
Built-in sensors check nozzle health and execute microscopic cleaning without wasting ink — critical when printing on expensive fine art paper where a single clogged nozzle can ruin a sheet.
- Thick Media & Roll Support
Top-loading and front-feed paths accept media up to 1.5mm thick. Roll feeders support 2" and 3" cores for panoramic, banner, and large-scale canvas runs with borderless output up to 64" wide.
Capabilities
Beyond Traditional Printing
Fine art printing is our core, but our production facility supports a range of specialty processes that extend what's possible for commercial and creative projects.
UV Flatbed Printing
Direct UV printing on rigid substrates — acrylic, wood, foam board, PVC, and more. Print directly onto the material surface for signage, displays, and dimensional installations.
Laser Cutting
Precision laser cutting for custom shapes, intricate mat cutouts, dimensional lettering, and specialty display elements. Produces clean, finished edges on paper, acrylic, wood, and fabric.
Foil Stamping
Hot foil embellishment on mats, prints, and packaging. Add metallic gold, silver, copper, or holographic foil accents to limited editions, certificates, and premium presentation pieces.
Fine Art Digital Capture
Flatbed scanning up to 16x20" and professional camera capture for larger or three-dimensional originals. We use whichever method produces the most accurate reproduction — because every detail matters.
Color Correction & Proofing
Every print job includes color evaluation and correction. For critical work, we produce physical proofs on the actual substrate so you can evaluate color, contrast, and finish before the final run.
Protective Coatings
Hand-rolled UV-protective coatings for canvas and paper prints displayed without glass. Guards against fading, allows easy cleaning, and adds scratch resistance for high-traffic environments.
How It Works
From file to finished print — a straightforward process designed for both individual projects and large-scale commercial programs.
Submit Your Files
Send us your digital artwork or ship your physical originals. We accept all major file formats and provide digitization services for physical pieces.
Review & Proof
Our team evaluates resolution, color, and substrate compatibility. We color-correct your files and produce a digital or physical proof for your approval.
Print Production
Once approved, we print on your selected substrate using archival pigment inks. Every print is inspected for quality before it leaves the print station.
Finish & Ship
Prints are coated, trimmed, stretched, or prepared for framing — then carefully packed and shipped to your door or forwarded to our framing department.
Step 1
Submit Your Files
Send us your digital artwork or ship your physical originals. We accept all major file formats and provide digitization services for physical pieces.
Step 2
Review & Proof
Our team evaluates resolution, color, and substrate compatibility. We color-correct your files and produce a digital or physical proof for your approval.
Step 3
Print Production
Once approved, we print on your selected substrate using archival pigment inks. Every print is inspected for quality before it leaves the print station.
Step 4
Finish & Ship
Prints are coated, trimmed, stretched, or prepared for framing — then carefully packed and shipped to your door or forwarded to our framing department.
Frequently Asked Questions
Common questions about our fine art printing process, substrates, and capabilities.
Absolutely. Commercial art programs are our specialty — we produce, frame, label by room, and ship installation-ready art for hotels, corporate offices, cruise ships, and multi-location brands. Our Fullerton, CA production facility is built for volume with consistent quality from the first print to the five-thousandth.
We also produce artist edition runs for conventions like Comic-Con, gallery shows, art fairs, and online storefronts. Whether you need 50 prints for a weekend show or 500 for a retailer, we can print, mat, back with foam board, sleeve in clear bags, and have them retail-ready for your booth or shipping table.
Need matting, backing, or framing as part of the order? We do that in-house too. Read our guide to choosing the right frame for your project or contact us to discuss your next run.
Ready to Start a Print Project?
Whether it's a single artist proof or a 5,000-piece hotel program, we'll guide you through substrate selection, proofing, and production — from our facility in Fullerton, CA to your wall, anywhere in the country.